PHOTOJOURNALISTS RAISE AWARENESS, SAVE COUNTLESS LIVES…

ABOVE:  In the early morning hours of September 2, 2022, Barnstable Police were alerted by a 911 call from a little boy to respond to Murray Way in Hyannis. Upon arrival they found two individuals deceased. It turned out to be a murder/suicide… with two young boys left without a mother and father.  HN coverage helped raise awareness, alerting the public, which raised tens of thousands of dollars for the future care of both children… HN, unfortunately, has been to numerous similar scenes here on the Cape. The footage shot that morning also provided a rare glimpse into police officers bravely responding to an ongoing, horrific situation. CLICK HERE for more… “PHOTOJOURNALISTS RAISE AWARENESS, SAVE COUNTLESS LIVES…” HN NOTES AND MULLINGS ON THE MATTER: In the age of instant information, where news travels faster than ever, the role of independent professional photojournalists remains indispensable, particularly at overnight emergency scenes. There are not many of us working the overnight emergency and crime beats across Massachusetts anymore. The pay can be sporadic, less than optimal… and if we do not deliver, we make zilch. It’s a hard lifestyle with long, irregular hours. And there are safety and health risks involved in capturing unfiltered stark realities, whether it be natural disasters, active crime scenes, or public emergencies. And the work does much more than document history; it raises awareness, galvanizes action, and in countless cases, it leads to lives ultimately being saved. HN is often the first visual storyteller on the scene of an emergency, arriving alongside first responders to capture moments that words alone cannot convey. A single photograph can communicate the urgency of a situation, evoke empathy, and spur communities, governments, and organizations into action. For instance, during the 2010 Haiti earthquake, photojournalists documented the devastation in Port-au-Prince, showing the world the scale of the disaster. Their images of collapsed buildings, injured survivors, and overwhelmed medical teams prompted an outpouring of international aid, raising millions of dollars for relief efforts within days, according to online sources.     ABOVE: “A Haitian boy receives treatment at an ad hoc medical clinic at MINUSTAH’s logistics base after an earthquake measuring 7 plus on the Richter scale rocked Port au Prince Haiti just before 5 pm, January 12, 2010. [Wikipedia]”  Photojournalist Logan Abassi / The United Nations   Photo by Marcello Casal Jr/ABr   ABOVE: “U.S. Army soldiers help the crew of a U.S. Navy MH-53E Sea Dragon helicopter from the aircraft carrier USS Carl Vinson (CVN 70) unload food and supplies at the airport in Port-au-Prince, Haiti. [Wikipedia]”  Photo by Daniel Barker, U.S. Navy Being near emergency scenes allows HN to provide a window into the human toll during a crisis. For example, the following photo by Hyannis News in 2014, highlighted the urgency of the rising number of opioid overdoses, prompting community discussions and policy changes. Footage from the following scene was also used in an HBO documentary that brought further attention to the situation here on Cape Cod.  The HN images back then needed to be powerful because of the number of lives we were losing daily in Massachusetts, especially here on Cape Cod.  I remember feeling a need to jolt the public into action.  These days, first responders and the general public carry Narcan, leading to countless lives being save.  HN literally carries a number of doses of Narcan on any given evening.  And since I’m often first at these scenes, I have been able to put the camera down and help save lives.  The following HN photo was one of the first that successfully grabbed everyone’s attention, jolting the community into talking more about recovery and life-saving measures…   A 2015 study by the Pew Research Center found that 68% of Americans were more likely to engage with social issues after seeing visual media coverage, underscoring the power of photojournalism to drive awareness and action, according to online sources. The impact of photojournalists extends beyond raising awareness – they have contributed to saving countless lives by exposing dangerous conditions, systemic injustices, or underreported crises, their work has led to tangible change. In conflict zones, photojournalists have documented the horrors of war, leading to humanitarian interventions and public pressure to end hostilities. The following are some classic examples of powerful historic photos that shocked people into taking action:   ABOVE:  “The Terror of War”, photograph showing Phan Thi Kim Phuc running down a road near Trảng Bàng, Vietnam, after a napalm bomb was dropped on a group of South Vietnamese soldiers and civilians by a plane from the South Vietnam Air Force. The village was suspected by United States Army forces of being a Viet Cong stronghold and mistook the group for enemy combatants while they were fleeing from a Temple. Kim Phúc survived by tearing off her burning clothes. [Wikipedia]”  She’s alive today and remains dear friends with Photojournalist Nick Ut. She currently lives in Canada.    ABOVE: 1968 – “Nguyễn Ngọc Loan executes Viet Cong Captain Nguyễn Văn Lém. This Associated Press photograph won the 1969 Pulitzer Prize for Spot News Photography. [Wikipedia]”  Photojournalist Eddie Adams, Associated Press   ABOVE:  1963 – “Thích Quảng Đức‘s self-immolation during the Buddhist crisis in Vietnam. Malcolm Browne won the 1963 World Press Photo of the Year for a similar photo. Malcolm Browne went on to win the 1964 Pulitzer Prize as well.” According to Wikipedia, the Buddhist crisis was period of political and religious tensions in South Vietnam.  It was reportedly brought on by repressive acts by the South Vietnamese government, leading to Buddhist monks leading a campaign of civil residence… Photojournalist Malcom Brown/ Associated Press The above photos influenced global public opinion and anti-war movements.   Being near emergency scenes is not without its challenges. Photojournalists often work in dangerous conditions, navigating active crime scenes, natural disasters, or war zones. They face physical risks, emotional trauma, and ethical dilemmas in the everchanging news climate. While capturing a nighttime crime scene on Cape Cod, HN might contend with low visibility, heightened tensions, on scene electrical hazards, bad weather, along with the constant need to be aware of law enforcement’s need for space during certain critical moments — all while ensuring the images tell a compelling and accurate story. Despite these challenges, proximity to the action is crucial. A distant shot of a crime or emergency scene might fail to convey the gravity of the situation, but a close-up better allows images which exclude the patient (for example), maintaining their privacy while also capturing the concerned expression on a firefighter’s face. Ethically, HN strives for sensitivity, while also attempting to capture powerful images and accuracy that best tells the story. It’s often a matter of balance that develops with experience. Not holding back on making powerful images while maintaining awareness and compassion, are always on my mind.   A FEW RECENT RANDOM HN IMAGES:             The role of independent professional photojournalists is more critical than ever. While smartphone-wielding bystanders can capture some moments, they often lack the training, experience around emergency scenes, ethical grounding, and storytelling expertise to tell the story accurately and in context. For example, someone who does not particularly like police may capture a fleeting moment when a police officer is trying to get someone to stop resisting arrest. By showing a particularly volatile moment that shows an officer needing to use force while leaving out the actions of the suspect, they are not always accurately telling the whole story that led up to the force. The image may be out of context and could assist in spreading an inaccurate narrative of what actually happened, leading to misguided, volatile responses from the public. Supporting photojournalism — through funding, education, and advocacy — ensures that vital storytellers can continue their work. HN’s presence at emergency scenes is not just a professional duty — it’s a public service that shapes a more informed, compassionate, and responsive world. NOTE: HN does not have a union.  I work alone with a dog, cameras, and a surprising amount of gumption for an old fella.  When issues possibly impact my ability to access scenes have arisen in the past (the first years of HN seemed like a constant battle with certain local agencies and personalities), it has been just little old me that has gone into warrior mode, taking on what seemed like an army of government officials who didn’t appreciate what I was trying to accomplish.  The goal was to always make sure I could continue to safely tell the whole story without interference.  (Even when the truth occasional led to negative stories involving police officers allegedly breaking the law…)   Through hanging tough, while trying to educate, I’m happy to report many of my old battles have led to close friendships and mutual respect  –  I actually like to call it love.  I love our local police and firefighters, more than they’ll ever know, despite sometimes having fought like brothers.  I also love many of the subjects I photograph and film.  Although I might not always be too thrilled about the nature of a crime they’re alleged to have committed… it’s not personal for me.  And I have told suspects in the past that my footage has been known to either send them to jail… or get them out of it. Hyannis News is partially funded by viewers like you. Please contribute to continue HN’s independent local news coverage!  Click Here to Donate   ***** BIG UPDATE ***  WE’RE IN TALKS!  ***   GOOD NEWS! HN WAS JUST INFORMED BY A CREDIBLE SOURCE THAT THE NEW LAW PROPOSAL THAT SENT ME INTO “FIGHT THE POWER MODE,” MAY HAVE INITIALLY BEEN REPORTED INACCURATELY… AND THAT IT WISELY DOES NOT MENTION “FILMING,” “CAMERAS,” ETC…. WHICH IS VERY REASSURING – I’VE CHECK IT AND IT CURRENTLY APPEARS TO BE THE CASE… BUT I’M STILL GIVING IT THOUGHT, AND EVEN SUGGESTING LANGUAGE THAT SPECIFICALLY PROTECTS PROFFESSIONAL PHOTOJOURNALISTS.  BECAUSE ANYTHING THAT COMES CLOSE TO INFRINGING UPON, OR ATTEMPTING TO REVERSE 1ST AMMENDMENT LAW IS DOOMED FROM THE GET-GO…     I was told this new law will in no way interfere with a professional photojournalist’s need to occasionally move in close when appropriate.  It’s sometimes necessary to “zoom with the feet” for an entire list of valid reasons that actually protect the victim, undercover officers, etc.  I also want Massachusetts to begin considering entering language into laws that protects the rights of trusted professional reporters and photojournalists, along with first responders.  Crime and emergency scenes are our “workplace.”  I’ve read that Massachusetts has a “zero tolerance” workplace violence policy for all government employees.  And I believe this state needs to actively extend that policy by protecting everyone from workplace violence and harassment, not just our beloved cops and firefighters.  (I need my own buffer zone for chrissakes!  –  LOL   )   Just like the cops and firefighters, my main goal every night is to also go home safely to my news mutt, a glass of aged scotch, relaxing classical music, and my favorite authors… like Tolstoy, Graham Greene, Vonnegut… and madmen like Hunter Thompson… immortal columnists like Jimmy Breslin during the 1970s… true crime enthusiasts like Max Haines and Truman Capote that one time even he delved into the darkness.  There are certainly more authors at home waiting for me, but those are the ones that have keep me busy lately…   … along with this little terrorist in a dog costume.       P.S. – Today’s Hytown Vignette is brought to you by Paul McCartney…  [CLICK IT/CRANK IT! HEADPHONES ABSOLUTELY OBLIGATORY!]